Fine Art
COVER ART EDITION
Limited Edition of 2 on 9 x 12 inch Paper
This piece is used on the cover of Split Worlds by Eliot Cardinaux. The Book is included and signed by Cardinaux and Lipsky
Jagged black silhouettes, torn newsprint, and burnished browns collide beneath vivid blue planes, forming a fractured, atmospheric field where figure and landscape blur. Teeth-like edges, textured paper, and embedded text suggest a world assembled from memory shards, tension, and shifting terrain.
This piece echoes Synthetic Cubism’s overlapping planes and incorporation of newsprint, recalling Picasso and Braque, while its slashing diagonals and charged silhouettes nod to Futurism’s fascination with velocity, fracture, and mechanized form.
Cover Art for The Palestinian Freedom Now Suite. A Poetry Book by Paul Catafago from The Bodily Press
Acrylic Paints in 4 x 5 ft Canvas
Bands of intense orange and red sweep across the surface under a cooler strip of blue and white, like a heated field below a distant horizon. Subtle drips and scrapes hint at scientific diagrams or data traces dissolving into pure, glowing atmosphere.
The glowing bands of color recall Color Field painters and lyrical abstraction, while the scraped, horizontal registers nod to postwar landscape abstraction and modernist experiments with horizon-line structure and atmospheric .Acrylics on 4 x 5 ft Canvas
Hand Embellished
Limited Edition of 3 on 10 x 12 inch Paper
Overlapping profiles, drawn lines, and saturated reds and blues fuse into a double-faced head, one realistic eye peering through an abstract mask. The layered image suggests thought, time, and identity folding over themselves in a single, unstable portrait.
This drawing channels Cubist fragmentation of the head and Surrealist double imagery, while its layered profiles and gestural marks echo Abstract Expressionist portrait experiments and postwar psychological figuration.
Acrylics and Collage on 4 x 4 ft Canvas
A large orange orb presses against a pale, tooth-edged mass over a deep red ground, casting long black roots or shadows. The stacked circles and graphic scars evoke a body under pressure, part celestial, part wounded emblem.
The work echoes geometric abstraction and Color Field painting, while the stacked circular forms and scar-like edges suggest a Neo-Constructivist and late-Cubist interest in emblematic shapes and tension between figure and ground.
Acrylics Paints and Collage on 3 x 3 ft Canvas
Scraps of aged text cluster into a dress-like form rising from a field of yellow and blue, crowned by a halo of scratched marks and atmospheric gray. The figure hovers between statue and apparition, assembled from language, memory, and weathered ground.
The text-built figure evokes Cubist papier collé and Schwitters-inspired collage, while the haloed form and frontal stance recall classical statuary filtered through Abstract Expressionism’s gestural grounds and postwar figurative abstraction.
Contact
Custom pieces start at $500. Please fill out this form to inquire.